This is not a book review

[I keep writing posts and then letting them rot as drafts as I know I haven’t time to respond properly – so here is a thought from a few weeks ago.]

I have a modern dilemma. As a writer/reader/blogger I review books I love, but by no means all the books I read. I try to support fellow writers by reading their books, but if they write in a genre I don’t enjoy (horror, thriller, fantasy), although I sometimes buy, I don’t read them. There are some other genres (sci-fi, romance, chick-lit, historical fiction) where I’ll buy and read a few pages and occasionally the whole book, because I like the writer and am interested to see their work. Mostly I read general fiction, and a lot of non-fiction.

Tom Gauld cartoon

Tom Gauld cartoon

I recently read two books by authors I had come across online and expected to enjoy and in many ways I did. Both were fiction, but full of interesting subject matter, well-researched; the writing was fluent and grammatical and the proof reading was exemplary.  The first few chapters were enjoyable and yet as I read I fell into a state of simmering irritation.

The first one needed more editing. Some very strange ‘darlings’ that spoiled the atmosphere should have been cut. Most of the characters, including a very crucial one, were well-drawn and the pace was good. BUT the two protagonists and their whole story arc were straight out of central casting and belonged in a different book. The writing (for these two) was what my husband refers to as the ‘he gazed into her sunburnt eyes’ style. It was repetitive and very soupy.

The second was a very good read in many ways with a fascinating background and story. BUT, once more, the two main characters and their interactions were not credible. In this case the characters were undercooked, their behaviour towards each other age-inappropriate and the whiff of teenage romance in a serious setting was odd.

I really want to review these books and I cannot without hurting the authors.

Now, here’s the embarrassment, is this how my writing comes across to others? I still remember one very irritated reader/relative saying, why do you write like this when you could write like A S Byatt if you wanted to (I couldn’t, but I wouldn’t want to either). Were these books perfect for a different reader? Am I just reading out of my genre comfort-zone? Is this just the curse of the writer as reader?

I see that this post has become an (unintentional) demonstration of how dull writing becomes when you generalise instead of being specific – ah well!

Meanwhile winter has turned to spring – Hooray!

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(Self)publisher in a spin

Or Threadgold Press up the creek with not much more than a couple of lollipop sticks.

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When you decide to self-publish it’s a good idea to remember that what you are taking on is at least six people’s jobs. You have to park the fact that you are the author and settle down at your desk. First you become a typesetter, an editor, a designer and a proofreader. Then your Office Manager gets down to the practical stuff of commissioning the printing, and getting it sorted and delivered (and hiring heavies to persuade everyone you know to proofread… again), then the Catering Manager organises the launch party and the Publicity Manager takes care of the press releases and the local newspapers and talks. The Marketing Manager emails every person you have ever met and persuades them to buy an advance copy. At which point the office supply personnel get busy with the packaging, the stamps, while the Accountant keeps records of sales and the paperwork to go with the orders. The IT Advisor sorts out (or fails to sort out) the glitches with the Amazon system for uploading e-books and images.

What have I left out?

The office staff let the author out this morning for a ten minute run around the garden. She got a little over-excited by her ‘Maple nursery’ (seedlings of Matzsukaze and Sengokaku) in autumn glory. And some brave autumn crocus mixed with primroses (!)   DSCN6789DSCN6792But she is back at her desk now, happily parcelling up an order for three more books (and worrying about whether the print run will last until publication day).

It’s even more DIY than last time round. The City newspaper, has asked the author to provide her own article ‘From the Author’s Mouth’ and supply book-cover image and author photo. The local farm shop is kindly allowing her to sign books in their cafe on the release date. Ah well, she can now drink the ginger wine – a thank you yesterday from the group at the sheltered housing in the village who, in spite of multiple challenges, listened sweetly to her babbling on about the joys of writing.

Beans, beans, beans and proof-reading

Little garden interlude. The runner beans, having started to mature, are unstoppable. Luckily I have hungry neighbours.DSCN6237 DSCN6233There are as many courgettes as we care to eat and the first french beans are cropping too. I have at last transplanted the leeks and we had torrential rain yesterday, so I am not looking out of my window worrying about thirsty plants. Mind you, we are promised the tail end of Bertha, the hurricane travelling across the Atlantic, tomorrow. As the beans are mostly held together by elderly bamboos, some string and their own tendrils, they may be on the ground by Monday.

So, after a morning putting in proof-reading corrections, I will, I will, get into the garden for some re-enforcing work.

My last proof reader did not really enjoy Border Line. Although this is, naturally, depressing, it is also more helpful than vague praise. I have learnt some useful stuff from what she said (and did not say) and it is not too late to make some, hopefully crucial, changes. Knowing WHAT to change is a great boon. Thank you JL.