Beans, beans, beans and proof-reading

Little garden interlude. The runner beans, having started to mature, are unstoppable. Luckily I have hungry neighbours.DSCN6237 DSCN6233There are as many courgettes as we care to eat and the first french beans are cropping too. I have at last transplanted the leeks and we had torrential rain yesterday, so I am not looking out of my window worrying about thirsty plants. Mind you, we are promised the tail end of Bertha, the hurricane travelling across the Atlantic, tomorrow. As the beans are mostly held together by elderly bamboos, some string and their own tendrils, they may be on the ground by Monday.

So, after a morning putting in proof-reading corrections, I will, I will, get into the garden for some re-enforcing work.

My last proof reader did not really enjoy Border Line. Although this is, naturally, depressing, it is also more helpful than vague praise. I have learnt some useful stuff from what she said (and did not say) and it is not too late to make some, hopefully crucial, changes. Knowing WHAT to change is a great boon. Thank you JL.

Threadgold Press – lessons learnt

[This is a moan, so feel free to jump to pictures at the end]

One of the privileges of being your own publisher is being able to choose your own book cover. Over the last month I have really concentrated on this (actually since April, if I’m honest). Ignoring the Really Good Advice to pay for professional work, I have become intimate with the foibles of InDesign; my numerous attempts to create a cover now run to over 50 files.

I am exhausted and depressed, I have used up all my credit with my nearest and dearest, the garden is untended, the vegetable plot a riot of weeds and my in-tray is overflowing. Each night I have new ideas and each morning I start again expecting the perfect cover to appear under my hands. But it hasn’t, and I am now finally ready to compromise. My daughter, Amy, has produced something better than any of the ones I attempted and while I still feel, churlishly, that it is not what I had in mind, it is simple and beautiful and I need to stop NOW.

So here are a few more rejected designs (and they are not the weirdest):

BL cover tests29.pr BL cover tests32.pr - Version 3 BL cover tests26.pr BL cover tests21.pr

That’s enough amateur graphics. Here are some lilies (smelling heavenly) and hydrangeas to finish with. Tomorrow, I will pick beans and weed the veg bed.

DSCN6205 DSCN6202 DSCN6201 DSCN6199I’ve been Lindy Hopping this evening, so I feel more human.

 

Unseen Unsung – eBook out now

Unseen ebook coverF

Luca, a brilliant and self-absorbed young opera singer, is buried in the rubble of a collapsed building. A girl crawls through the debris to comfort him and then vanishes. perhaps she died in the ruins or maybe she just a figment of his imagination. When he discovers the strange truth, he is unwilling to accept it.

This is a story of love between two people who would never have met and never have found common ground without one of the catastrophes of modern life.

Unseen Unsung celebrates the power of music and the force of human survival in a complex world.

The concept for Unseen Unsung started life way back in 1999 when I imagined people stuck under the rubble after an earthquake in Turkey. I was enjoying myself plotting, writing and character-building when 9/11 jolted the world. I found the axis had shifted; the story felt too light in the changed world and I set the project aside for over a year.

This is a book, not about disasters, but about life and music, about ordinary people coping with what life throws at them, big and small. In it I have allowed my passion for music, in particular opera, (fairly) free rein, but, as one reviewer wrote, “please don’t think you have to be an opera lover to read this book”.

Although Unseen Unsung was published as a print version in 2008, I went to talk to a reading group last year, who had obtained second-hand copies through the Internet, so I am hoping people will still find it enjoyable. I decided to turn it into an ebook in order to learn the ropes for the publication of my new novel Border Line, which will be coming out in December.

The ebook of Unseen Unsung is available at http://www.amazon.com/Unseen-Unsung-Hilary-Custance-Green-ebook/dp/B00LSRI2PO/ref=sr_1_1?ie=UTF8&qid=1405942187&sr=8-1&keywords=Unseen+Unsung and https://itunes.apple.com/us/book/unseen-unsung/id899213653?ls=1&mt=11

I hope some of you will try it and enjoy it. Correction. That’s supposed to read – Please buy my book!

 

 

Titles, covers and how to get it wrong.

I am in the process of self publishing a novel. This has the title Border Line, which should (I hope) give rise to thoughts about the borders of a country, the edges of sanity and the distance between of success and failure.

I am setting the text using InDesign, but as I can’t afford Photoshop to do the cover work, I  downloaded the free illustration software, Gimp. In order to familiarise myself with the basics I knocked up a random cover by grabbing a recent photo and putting in some text in a couple of colours. Feeling quite pleased with myself for getting this far, I emailed the result to a friend and my husband…

Gimp testjpeg

… to whom it is obvious that I have written a book on gardening – How to Keep Your Border in Line!

A few days before this effort, I mocked up some simple photo and text covers in InDesign, and printed these off (along with one professional) one to show to a group of friends. I asked them which ones(s) they would pick up and turn over to read the blurb. Several unerringly picked the professional one (a lovely image, but not related to the story). They then made clear that what mattered to them, apart from the cover’s initial attraction, was that it should be relevant to the story. Nothing seemed to irritate more than a misleading image (which, as I feared, counts out the lovely image).

Does the relevance of the cover image matter to you? Here is a pdf of the covers, if anyone feels like spotting the professional one.

cover tests

 

Another snake, another ladder

Yesterday I received another rejection for my novel Border Line. They are stacking up nicely now.

Last night I found an email from a friend. The subject line read: did you write this??? or where did I HEAR IT?

The text read: “Not even purgatory would feature a sing-along bar in Ljubljana. ”

This is a quote from Border Line, which my friend must have read well over a year ago. He may have remembered the line because he hated or was irritated by it, BUT at least he remembered it. He may even have liked it. I have to hang on to all forms of encouragement.

Birches in Anglesea Abbey gardens Winter Walk today.

Birches in Anglesea Abbey gardens Winter Walk today.

Another agent submission

Today I finally stopped messing around (clearing my desk, catching up on household chores, dealing with emails, fetching logs, photographing sunsets), and got out the file of my novel Border Line, worked over the first chapters and made another submission. I nearly failed to jump the last fence as I feel the title needs changing after the shift I made in my last major revision. Then I decided I was rearranging the deck chairs, and pressed the Send button. The title needs to be right, but if the text is good enough it is unlikely to be the rejecting factor.

Looking for a new title took me on a very pleasurable, though off piste, journey through my poetry shelves as I followed the lead from Frost’s Stopping by Woods on a Snowy Evening, through Graves and Donne and back to Rehearsal (by Eleanor Green), which had been one of the original stimuli for the novel. I still have not found the title, but here are the first four lines of Eleanor’s poem and the reason why actor’s exercises became central to the story of Border Line.

Rehearsal

for an exercise
I look at his hands
to improve our relationship
onstage?

Readers react in Great Malvern

The pendulum has taken another couple of swings over the weekend. I arrived in Great Malvern (UK) on Saturday and discovered that the book group there were expecting to discuss with me my first book (A Small Rain, 2002, out of print) and not the 2008 Unseen Unsung, which I had prepared. I borrowed my hosts’ tattered copy of A Small Rain for a frantic revision before setting off for the meeting.

We were made very welcome in a member’s home, fortified with a drink and the fourteen of us spread out in her lovely sitting room. Under admirable chairmanship, each member talked about their reactions to A Small Rain and Unseen Unsung, which many had also read. I was able to give explanations and answer individual questions as we went along. After a break for sustaining and delicious nibbles, there was a more open-ended question and answer session about writing and publishing.

For me, to sit among a group of perceptive, enquiring people who have read my two published books and to talk about what works (and what doesn’t) was both a luxury and an immensely helpful experience. I was encouraged to find that they positively relished the complexity of the plots and the variety of subject matter and wanted more stories like this. Several also made a plea (as most book groups do) for a character list because, like many people, they read before sleeping and want to pick up again quickly.

The male protagonist of my first novel came in for some justified criticism for his saintly demeanour and his grating use of endearments. Lesson learnt! On the other hand the child coping with upheavals in his life met universal approval. It gave me great lift that a reader who had never taken to poetry found the selections I used wholly accessible. The writing in my second novel was seen as better paced – a page-turner. They warmed to the main character, a rather spoilt young man, as he lived through the events in the story. Even my dark portrayal of a mother had come off.

I realised with gratitude as I listened and talked, that these intelligent, curious, caring men and women are my readers. This has left me with a glow that will carry my writing forward, and with encouragement such as this, I will get Border Line published knowing that I will have (at least) fourteen readers.

Writing – the swinging pendulum

I have been feeling flattered that a friend across the country asked me to come and be quizzed by her reading group about my book, Unseen Unsung. This was published in 2008, so last week I started re-reading it. I was quite shaken by some aspects of the prose; too dense in parts, too many scene changes. I think if I hadn’t written it myself, I might have had trouble following the plot. I became puzzled, people I don’t know (as well as family and friends) have told me how much they enjoyed this story. Apart from one moment, when I forgot I had written it and the story brought me close to tears, I felt that this was not a book I would recommend to friends.

One outcome of this re-reading was an increased confidence in my new book, Border Line, endlessly revised and now going out to agents. Then, last night, I received an email from another writer – an old and trusted friend. She had been reading my most recent draft and she felt that the majority of my revisions were a disappointment and that I had thrown out what was best and unique about my writing.

Tomorrow night I will travel across the country to find out what a group of strangers made of Unseen Unsung. On Monday I will look at Border Line again and see if I can distil and replace the missing spirit.

Meanwhile Autumn is quietly going about its inevitable and beautiful business.

Acer palmatum Sengukako

Acer palmatum Sango-kaku

On the other hand

I’m damned if I’ll give up yet. After three days of gardening distraction, I am back at my desk working on more submissions. Border Line has had several bites from agents and I should at least persist until the whole MS is asked for again in its revised form.

Feel invigorated since making this decision. In the meantime I have rebuilt the really rough bit of path, put turfs into bare areas, dug all the available granite setts into the edge of the dragon bed, moved a lot of earth on the new bank by the drive-to-be, started cleaning up the area by the knot-garden and had an all out battle with a dark corner of the garden full of cow parsley and Lords and Ladies (arum italicum). So rejection has had a very good outcome for the garden.

Martins were probably passers-by. We haven’t seen any more. Maybe they are the ones who arrive at my brother’s house in the South West about now.

Managed to go Lindy hopping this evening, interesting moves, but way too much talking. Feel pleasantly exhausted now. No piano practice for three days. So tomorrow piano and writing.

Dealing with writing criticism

I love the randomness of existence; so Monday morning there was a knock on the door and a great lorry craned a large bag of sand onto our driveway. The snow cover and the icicles everywhere make laying brick paths unwise. Instead I managed to send an email to an agent, who felt like the right person for my Prisoner of War non-fiction book – though the firm is closed for submissions, so I have probably just annoyed him. I also finally posted a submission to an agent for my fiction book Border Line.

An interesting post on How I Handle Rejection on Shannon’s blog http://shannonathompson.com made me reflect on how I handle both rejection and praise. I went to a recent email from a friend who had read Border Line critically for me and realised that I had lapped up the praise and not paid enough attention to the criticism. I had dealt with the post-it notes on the manuscript, but not really listened to a more fundamental worry in the covering email. So I spent a happy few hours – and I mean happy – addressing the problem. It is so much easier when someone has kindly identified the sticky patch or the unreal person. When you are writing you tend to have your nose up against the leaves and the shape of the trees get lost.

My mood underwent some yo-yo transformations as I tried to alter the picture for the (imaginary) cover of Border Line on my website. I learnt, as I always do on these occasions, a lot about how not to work in iWeb, but finally I got it sorted. Then, having published the new version, I was maddened to find that one page uploaded the new version, but another stuck to the old. Much trial and error later, I could get the new pages correct only of I used the www. before my address. Today it works properly. There are some gnomes working hard behind the scenes and I just don’t quite speak their language.